The ensemble created and directed by Marcelo Delgado is dedicated to contemporary classical music and pays attention to young Argentine composers. The “Compañía Oblicua” is celebrating twenty years. This is an unusual achievement for an independent ensemble focused on contemporary classical music. Throughout this time, in contrast to the circumstances of Argentina and its culture, […]

This Saturday and Sunday in the cultural space of downtown Buenos Aires, the group directed by Pablo Druker will perform pieces by Grisey, Bertrand, and Kokoras, and will premiere two Argentine works. This Saturday, September 7, at 8:30 PM and Sunday, September 8, at 6:30 PM, the Contemporary Music Arthaus Ensemble will offer two concerts […]

It will be this weekend at Bartolomé Mitre 434. They will perform “Talea or the Machine and the Mad Herbs,” “Satka,” “Crama,” “Lo podrido,” and “Ruá.” After a successful presentation in the main hall of the Teatro Colón, the Contemporary Music Arthaus Ensemble will perform this Saturday at 8:30 PM and Sunday at 6:30 PM […]

The renowned singer brings together in Una the works of six Argentine composers of contemporary music. It is an audacious and very personal project that explores a wide sonic spectrum composed of various musical aesthetics. “Audacity” is the word that defines the artistic attitude of singer, actress, and teacher Natalia Cappa. She navigates both the […]

The Cultural Institute of the Province of Buenos Aires announced the winners of the first Provincial Composition Competition for Symphonic Orchestra, a proposal that brought together women and members of the LGTBIQ+ collective who were born, work or live in the Buenos Aires territory. The first edition was held in tribute to the composer Marta Lambertini, and each year it will be named after other Buenos Aires composers.

UNQ teachers won the first Provincial Composition Competition “Marta Lambertini” for Symphonic Orchestra.
UNQ SCIENTIFIC NEWS AGENCY · DECEMBER 15, 2023

What ideas did you have to change about what musical-theatrical creation is to adapt to a virtual format? We were interested in thinking about the virtual instance as a micro-work within the work, a stage in the research and creation process, which functions as a work in progress but also receives feedback from the face-to-face […]

All the titles that make up the FNOBA 2020 arise from collaborations between two or more people. The structure of the festival has training instances -this year available on video-, and scholarship and residency programs that function as a node between local artists, such is the case of one of the works presented this month: […]

The program is completed with two creations in residence, within the framework of the New Vocalities project, of the Williams Foundation: The Dreams of Matter, by Sebastián Verea and Juan Cruz Forgnone, a mixture of experimental opera and video game; and Rosario Vega, an apocryphal biography, By Carolina Piola, Santiago Villalba, Agustina Crespo and Ana […]

The work of Agustina Crespo, on the contrary, conceives the piano duo as an opposition, not only musical but also theatrical. Binary relations implies a certain staging, with pianists who act, exchange places, sit with their backs to the piano or facing the audience. The abundance of clusters does not prevent moments of undoubted musical […]