I. Mancha II. Estatuas III. Escondidas IV. Huevo Podrido Juegos de Infancia. Sympohonic Orchestra of Bahía Blanca. Conductor: Valeria Martinelli

Nópera. Dal Niente Ensemble (Flute, Bb Clarinet, Horn in F, Harp, Violin, Cello and Percussion)

Puente Contemporáneo, 10 pieces for choir. Camara XXI – Conductor: Miguel Pesce

Relaciones Binarias, for two pianos. Lucas Urdampilleta and Silvia Dabul. Centro Cultural Kirchner

Niña Monstruo, for piano and female voice. Piano: Diego Ruiz Voice: Lucía Lalanne Centro Cultural Kirchner

Vocerío, Nonsense Vocal Ensemble

For Choir and nine instruments (Flute, Oboe, Bb Clarinet, Bassoon, Horn in F, Violin I, Violin II, Viola, Cello and Double Bass) Grupo de Canto Coral (GCC), Conductor: Nestor Andrenacci Violin I:Dario Zappia, Violin II:Amanda Burgos, Viola: Valentina Fuenmayor, Cello: Florencia Genera, Double Bass: Jessica Juárez, Flute: Sergio Catalán, Oboe:Maximiliano Storani, Bb Clarinet:Lautaro Abrego, Bassoon: […]

36 días de cuarentena, micropieza

Organdí (2014) For 2 singers, 1 actress, 1 violoncello, video and electronics. Osde Foundation

Cinco Exabruptos Primaverales (I-IV), for flute, sax, piano, violin and cello. Geam Ensemble Conductor: Ezequiel Menalled Centro de Experimentación del Teatro Colón

Calcos, for vocal ensemble and dancers Ensamble Vocal Contemporáneo DAMUS-UNA. Ensamble de Artes del Movimiento UNA. La Cárcova Museum. Calcos is an open work. It operates as a map of instructions for an interdisciplinary collective creation, which contemplates moments of free improvisation, indeterminate moments, randomness and obbligato parts both for performers and public.

El punto, for vocal octet Música Inaudita Osde Foundation

Telegramas, for 2 flutes Mei Duet Experimental Centre UNSAM

Jaque, for string quartet and dancers Cuarteto de cuerdas UNTREF Teatro Nacional Cervantes

Escaleras, for vocal ensemble. Ensamble Vocal Contemporáneo DAMUS-UNA. Conductor: Mariana Rosas Centro Nacional de la música

Canciones para subir una escalera (Ladder Songs No.3), Ensamble Vocal Contemporáneo del Damus. Conduction: Mariana Rosas

El ojo de la lechuza from Candelaria Palacios on Vimeo. Video-instalación 4 minutos Idea, dibujo y dirección: Candelaria Palacios Animación: Lionel Skliar Música: Agustina Crespo

Vocalizos, for amplified voices, amplified piano, amplified flute,amplified Bb clarinet, amplified violin, amplified cello, amplified percussion and electronics. Compañía Oblicua. Conduction: Marcelo Delgado Usina del Arte

El amor nos destrozará, for three singers and electronics. Play writer: Diego Demarchi Teatro Machado

Vaivenes, for piano. Malena Levin, piano Gilardo Gilardi Conservatory

Vocerío (2012) for 8 singers Nonsense Ensemble

Juntas, for soprano and 5 audio visual devices. Natalia Iñón, Voice Daniela Grandinetti, text and theatrical conduction Osde Foundation

Organdí (2014) For 2 singers, 1 actress, 1 violoncello, video and electronics. Video, Daniela Grandinetti

Telegramas (2011), for two flutes Mei Duet Osde Foundation

ENSAMBLE JACARANDÁ (2013) Para 8 guitarras / for 8 guitars

SATURACIÓN (2013) Para violín, flauta y electrónica / for violin, flute and electronics Florencia Ciaffone (violín / violin), Melina Firpo (flauta / flute)

TINTINÁBULA (2013) Para piano y percusión / for piano and percusion Cuenco del Plata – Juanita Fernández, Malena Levin

CEIBO (2012) Para 8 guitarras / for 8 guitars Ceiboensamble Guitarras Bs. As – Dir: Hilario Flores Coni