The Cultural Institute of the Province of Buenos Aires announced the winners of the first Provincial Composition Competition for Symphonic Orchestra, a proposal that brought together women and members of the LGTBIQ+ collective who were born, work or live in the Buenos Aires territory. The first edition was held in tribute to the composer Marta Lambertini, and each year it will be named after other Buenos Aires composers.

UNQ teachers won the first Provincial Composition Competition “Marta Lambertini” for Symphonic Orchestra.
UNQ SCIENTIFIC NEWS AGENCY · DECEMBER 15, 2023

What ideas did you have to change about what musical-theatrical creation is to adapt to a virtual format? We were interested in thinking about the virtual instance as a micro-work within the work, a stage in the research and creation process, which functions as a work in progress but also receives feedback from the face-to-face […]

All the titles that make up the FNOBA 2020 arise from collaborations between two or more people. The structure of the festival has training instances -this year available on video-, and scholarship and residency programs that function as a node between local artists, such is the case of one of the works presented this month: […]

The program is completed with two creations in residence, within the framework of the New Vocalities project, of the Williams Foundation: The Dreams of Matter, by Sebastián Verea and Juan Cruz Forgnone, a mixture of experimental opera and video game; and Rosario Vega, an apocryphal biography, By Carolina Piola, Santiago Villalba, Agustina Crespo and Ana […]

The work of Agustina Crespo, on the contrary, conceives the piano duo as an opposition, not only musical but also theatrical. Binary relations implies a certain staging, with pianists who act, exchange places, sit with their backs to the piano or facing the audience. The abundance of clusters does not prevent moments of undoubted musical […]

El amor nos destrozará, dramaturgy by Diego Demarchi and music by Agustina Crespo features a basic trio: love, spite and murder. There is a lot of originality in this plot that is based on ambiguity and a different idea of ​​the body that allows a great plasticity to be displayed on stage. Simple, but visually […]

Organdí Agustina Crespo Sebastián Pozzi-Azzaro “Estoy sentada en el lugar de siempre, en el mismo sitio. Esperando vengas”. El verso de Marosa di Giorgio resume la situación estacionaria de las cuatro mujeres que llevan adelante la escena de Organdí, una obra que pone a la música en diálogo con otras artes, siguiendo la premisa que hilvana […]

Ir del mapa al microscopio En este notable álbum, las flautistas argentinas Patricia García y Juliana Moreno muestran que hasta en un universo tan aparentemente cerrado como el de la llamada música contemporánea reina la más febril de las diversidades. Por Diego Fischerman Una posibilidad es el mapa. Una generalización. El borramiento de lo pequeño para […]

MEI Territorio: Obras de Franciosi, Bertola, Tolosa, Gandini, Crespo, Pelisch y Luzuriaga. (Edición independiente). Poéticas actuales. Territorio, el disco del dúo que las flautistas Juliana Moreno y Patricia García integran con el nombre de MEI, es un ejemplo del modo en que una formación alienta la expansión del repertorio. Muy diferentes entre sí, “A Cow in a […]